I work in an abstract or semi abstract style, usually in series, using acrylics, inks, pastels, archive and collaged papers and a variety of tools. What begins as the perception of something real, gradually becomes abstract as I focus on particular aspects of it, rethinking it, recomposing it, making it my own.
I spend a lot of time building a record of my art techniques in sketchbooks and scrapbooks, which I refer to when I embark on a new series: drawing, painting, print-making and collage. I take photographs of places and objects that stimulate and excite me, and above all I learn about art… the art of my contemporaries, and also favourites among the artists of the past, mainly from the beginning of the twentieth century. I cherish my creativity and have enjoyed all the opportunities I’ve had to share what I’ve learned with others.
I make images of or write about what gives me pleasure: nature, wildlife, rural landscapes and wild places, history, beautiful buildings and artefacts; colours, textures and patterns. I try to preserve and celebrate the things that I love. My earliest commissions were of landscapes significant to someone or beloved pets, and I hope that my current paintings communicate my affection for the beauty and history of my home area in Worcestershire. Sometimes a narrative is suggested by what I’ve seen, and words and pictures come together as a small hand-made book.
When I retired from my teaching career I studied garden design, then as a result, returned to college and fine art again. I still love to learn and refresh myself whenever I can with new learning. I see my life as an artist as an ongoing, exciting journey, and I never know what will be around the next corner.