
There are several aspects to my practice (interdisciplinary, research-oriented, process-centric, object-centred, performative). In my work, concepts emerge through material experimentations and spatial immersion. I use embodiment aesthetics (performance art) and practice trajectories stemming from my eclectic cultural experiences to investigate themes of ‘existence’, ‘absence’, 'forgotten', ‘loss/lost’, and ‘displacement’. I consider these phenomena layered and complex, their significance sometimes misplaced or forgotten, yet they are in no way invisible. I invite viewers to consider the various facets of my practice as connecting fragments, and each work as part of a continuum.
I was born in Singapore and currently residing in the UK. I came here a few years ago to study for a PhD degree. I hold a doctoral degree in practice-led research from the Birmingham School of Art, an MA in Art Education from the Nanyang Technological University in Singapore.
Over the years, I have presented my art and research internationally. Some examples include: The London Art Biennale, Royal Society of British Artists Bicentennial Exhibition, Royal Birmingham Society of Artists Art Prize Exhibition (Watercolour Prize), the Women In Art Fair Exhibition, Contact Theatre in Manchester, the Bath Fringe Festival, and the Bath Open Art Exhibition (People's Prize), the Singapore Art Museum, Stamford Arts Centre, the National Institute of Education Gallery, The Substation, and the Yavuz (now Ames Yavuz) Gallery in Singapore.